Liner notes by Kiko Loureiro
Track List:
1 Awakening Prelude
2 Gray Stone Gateway
3 Conflicted
4 Reflective
5 El Guajiro
6 Ray of Life
7 The Hymn
8 Mãe D'Água
9 Twisted Horizon
10 A Perfect Rhyme
Here it is Sounds of
Innocence, my fourth solo album.
Sounds of Innocence is my
inner voice, whispering constantly, sounds and melodies, textures and
harmonies.
Life shouldn't feel
like a limited state of being, but rather be an open
horizon to explore and in which to experiment. Innocence is a place where
one can surrender with tranquility. A place where everything is possible
and nobody is superior over another. Composing is for me this natural
state in which to let out all emotions, strengths and weaknesses. Learning that the more we master our skills the more
we realize how deep and wide we can go. A constant intermittence between innocence and experience is brought to the
surface of our awareness. Innocence is one of the most
important substances to cherish in our hearts and
lives. Innocence means expecting good things to happen or expecting the
best from people. Innocence keeps one open to the world without the need of
having to protect or hide oneself. Negative things may happen everywhere
and anytime but innocence is still a choice one can make every day. Losing
innocence results in cynicism, not trusting people, not trusting in life
and in the end not trusting
yourself. Keeping
innocence fuels the feeling of being alive and enables
evolving as a human being. Innocence is the essence and foundation for
creativity and freedom. It allows openness to the simplest of ideas
and access to one's innermost feelings and continuous flow of musical images.
From this derives the ability to play, compose, improvise constantly
discovering the music inside me. All the reflective moments
during the past year of my life are somehow represented in the ten songs from Sounds
of Innocence. These compositions depict my experiences in perfect
form. They combine my past to what I am now - remembering the
innocent times of a distant past but simultaneously being humble enough to keep
innocence as an important value at present. It keeps me learning,
exploring, developing and sharing. I love what I do, and this involves a
unique feeling that music is something that unites us universally. Music
doesn't belong to me nor anyone. The more I create, the more innocent
and free I feel to present and share my music.
Please enjoy my sounds.
1 Awakening Prelude
Classical guitar is my main
companion when writing songs and for this reason it is very natural to have the
Awakening Prelude as an opening track. It represents my everyday life. A
peaceful intro to start the day off with the classical guitar. The melody, introduced
in this Prelude, anticipates what will happen in the following song.
2 Gray Stone Gateway
During the period of the
composition of Sounds of Innocence, I have been living in Finland. The
landscape, the nature, the scenery of the capital city has been something
completely new for me. A feature that really struck me in Helsinki are the gray
stone buildings, walls and churches. I pursue the perfect
combination of heavy guitars with a syncopated melody which expresses my
identity as a Brazilian artist. It is present in all of my compositions and
this song is no different. My passion for harmony, chords and complex
progression derives from listening to
Brazilian music and It led me to jazz and the fusion which is also presented
here. The Gray Stone Gateway
welcomes the listener to the album with an intricate opening phrase. This song
is a very direct, heavy tune where the main melody is totally based on the
latin clave. The clave counterpoints with the heavy riff ,fast guitar phrasing
and the fusion progression in the interlude. It is the dichotomy of the
simple and complex, experience and innocence.
3 Conflicted
With the electric guitar in
my hands, everything I play will have a touch of the 80's bands and guitar
heroes. These were very significant in building my identity as a
guitar player. Evidently I am proud to let this flow fluid and natural. The atmospheric intro
creates an expectation to what is to happen. The attitude and energy is
enormously intense in this song, delivered by the fast picking riffs and
drumming as well as odd bars and broken grooves. The conflict and the
contradictory is musically represented with the interlude's calm, clean
guitar passage preparing for the collision of heavy sounds and odd time
signatures to follow.
4 Reflective
A peaceful, contemplative
and reflective song to play. Simple harmonies, innocent melodies and
spaces. While composing and playing this song I am transposed to another
dimension, experiencing the free fall, the “no gravity” feeling. It
is the ultimate flow experience of losing awareness of space and time and
simultaneously having this sense of being a part of something great and
universal.
5 El Guajiro
'El Guajiro'
translates into the peasant, the country man, a name used in Cuba to
describe the native people of the Caribbean. Since my album Universo
Inverso, I have increasingly been experimenting with the Cuban music. Cuba has
many historical musical similarities with Brazil but the outcome has been
surprisingly different. In El Guajiro I let myself go totally latin
without the heavy metal boundaries oppressing me. The percussion, claves and congas
have a very important role in the arrangement of the song, which is uncommon in
heavy tunes. Music is normally referred to as a representation of tension
and release by the harmony and melody. Rhythmic patterns can serve this duty as
well. Syncopations can create the momentum of anticipation and tension as
well as release. During the entire song the main focus is the groove
and the superimposed rhythmic patterns.
6 Ray of Life
Ray of Life is a very
introspective song, where the major key melodies and constant
pulse absorb me into an indescribable sense of a heart full of life.
With a bluesy touch and naïve melodies, this song has me looking at the
bright side of life. Composing this song I found myself easily following the
three given rules of a good writing process. Spontaneity, the greatest
abbreviation of the passage from an idea to its written form; fluidity,
uninterrupted writing; and, being open, unprejudiced, maintaining a
quality of writing that does not know where it is going. The key turns to minor in
the interlude, and together with the Brazilian samba called Partido Alto,
brings along a melancholic moment. The final culmination in the end of the
solo marks the transition back to happiness and enlightened feeling.
7 The Hymn
I believe this song is quite
different from all the other songs I have written on my albums. I was never a
big fan of grunge rock, but was always amazed by the interesting yet
unpretentious harmonies. The intro as well as the chorus follow the concept of
being loose, bluesy, organic and rough. To balance this, the rest of the song
is very hectic and precise. I visualize it as the digital against analog, or
the eletronic counterbalances rock
8 Mãe D'Água
Mãe D'Água means in
portuguese the Mother of Water and it symbolizes the Amazon river mermaid.
The natives call her Iara. And according to the
legend, she sings an irresistible melody that draws the men into the river and
make them blind if they look at her. The melody of this song has
been beautifully disturbing my mind for days and explains the choice of the
song title. Despite the fact that the legend of Iara comes from Amazon,
the musical elements in the song are mixed. The berimbau, a very
characteristic instrument from Brazil, starts the tune. The guitar
repeats the notes and the same “toque” , an original African groove
called the Ijexá. All the percussion including the constant mantra-like
berimbau patterns create the atmosphere of the song until
the song reaches the main melody. I kept my playing very minimal,
not exceeding too many notes - even with many parts of the song having no
guitar solos. These spaces create the sonic landscape. Picture the Amazon river
with the mermaid Iara and on the other side the Brazilian berimbau and
Afro-roots.
9 Twisted Horizon
This song was the first song
composed for the album. It was written during my initial moments in
Finland as I realized I was on the other side of the world. Not only the
horizon was upside down, but everything around me was so new. The melody of the
song is very positive and headstrong, looking forward to a beautiful future. At
the same time, over the major key melody, the bass and drums create a complex
rhythmic pattern depicting a certain instability and uncertainty somewhere deep
inside. By the time the chorus comes along, everything is back to steady and
completely positive. I believe melodically this is the most uplifting song in
the album. The melancholic mid section, à la Piazolla, reflects the
melancholic side in the heart of every latin person (and Finn).
10 A Perfect Rhyme
The album was completed, all
demos ready but I knew it would be very important to write a song that would
represent the birth of my child and the realization of a family life. I
sat next to the piano with this thought in mind and the song flowed out in its
whole entity. I kept the song exactly how it was initially created even though
it could have made a nice intro for a heavy song or an idea for a beautiful
singing ballad. However, this would have meant changing the original purpose of
the song. A Perfect Rhyme - the guitar and piano are complimented with a nice
orchestral arrangement to close the journey of the album. It's complete in
itself.
Every album is the
result of hard work and commitment and is therefore a huge achievement.
However, this album was one with more than usual significance and importance to
me. Sounds of Innocence represents
Kiko nowadays, all my musical sides, wishes and desires. Thanks
a lot, always.